The script supervisor is a person in a film or TV crew with multiple functions
This role supports the director and works closely with all departments on a film set. While the job can be seen as administrative, the knowledge and skills are much broader.
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Aleksandra Beka Wolf has been the script supervisor for 30 years. In 1992, she completed the course "Creative thinking with pictures" at the RTS educational center. She started working in the entertainment department of RTS and went through the process of learning and working from the edited report to the live broadcast.
She met the feature film in 1995, when she spent 2 years editing the "Gore-Dole" TV series. Then she started working on TV movies, and from 1999 she was only working on movies. Later, it spread to series, telenovelas, sitcoms, commercials, videos and other forms of feature structure.
Beka Wolf speaks and writes in Serbian and English. She has worked in domestic productions, as well as in co-productions, in all conditions. Mild in nature, but determined, strict and precise. She likes to be invisible on the set the most, because that means that everything works perfectly. Experience is her greatest quality.
Beka Wolf is also a lecturer in practical classes at FDA at courses for script supervisors.
Aleksandra Kljajić has been working as a script supervisor for about twenty years.
She completed a course for script supervisors within BK Television, and her mentor was Dragica Marković. She conducted the practical part of her studies on projects done by Dragica Marković and Igor Kljajić for a period of 3 years. She first volunteered and then set out on her own. In that process, she went through all forms: from TV shows, commercials, to the most complex series and films in domestic and foreign production. She speaks and works in Serbian and English.
Aleksandra Kljajić is communicative, a team player, hardworking, pleasant. If necessary, she is persistent and does not deviate easily from her ideas. She prefers to work in facilities than in the studio, and both outfield and filming in Belgrade come into consideration.
Aleksandra Orlović has been working as a script supervisor since 2017. Theoretical and practical knowledge was passed on to her by Marina Lesić during 2 months.
She volunteered for a month in co-production, and then started as a script supervisor in another crew. She mostly worked on domestic series.
She speaks and writes in Serbian and English. She would work in all film conditions.
Aida Rodić has been working as a script supervisor for 35 years, since 1986. She learned theory from Mihailo Vukobratović, and practice from Miodrag Stanišić-Dagi.
In her long career, she worked on series starting with "Bolji život", "Porodično blago", as well as a large number of films, telenovelas, sitcoms...
Aida speaks English. The studio work in Belgrade suits her the most.
Ana Marčeta has been the script supervisor since 2015. She learned the job from Saša Mitić and from the book "Beyond continuity" by Mary Cybulski. The practical part of the training with Saša Mitić lasted 6 months.
She speaks Serbian and English, but does not write English. She did not work for foreign productions.
Ana is a team player, dedicated to every project she has worked on. She would rather shoot in Belgrade than in the outfield.
It is important for her to have correct relations in the team and for the agreement to be respected.
Anja Maksimović started working as a script supervisor in 2013 on the series "Montevideo, Bog te video”. Before that, she underwent theoretical training with Alexandra Beka Wolf and, without practical experience, embarked on filming.
In her career, she worked on films, series, and worked with foreign productions.
Anja speaks and writes in Serbian and English. She is interested in projects in Belgrade, regardless of whether it is a studio or outside. Cheerful, team player and positive structures.
Irina Dukić completed the training of FDU and FCS for script supervisor in 2020. She also had a practical part of the training with Jelena Todorović, where she volunteered on the project for about a month.
She speaks and writes in Serbian and English.
Positive, team cooperative, always open for cooperation. She would prefer to work on film, the genre is not crucial. Also comes into consideration filming in Belgrade and on terrain.
Jelena Todorović has been the script supervisor since 1996, is for 25 years. At the beginning of her career, she completed a course for script supervisors at the RTS Education Center. She acquired practical knowledge on RTS from experienced colleagues Marija Đorđevic, Ljiljana Mijatović and Milka Danilović.
The training lasted about 2 months, but she is still learning continuously. She volunteered for Puriša Đorđević's film "Tango je tužna misao koja se pleše".
So far, she has made films, series, sitcoms, videos for political campaigns, TV dramas, TV movies. She has worked in foreign co-productions of the series, movies and a Japanese documentary.
Jelena speaks Serbian, English, Italian and a little Russian. She writes in Serbian, English and Italian. She is responsible, dedicated, reliable, team-oriented, focused, hardworking and experienced in her work. Work in Belgrade, as well as in the outfield, in the studio and in facilities, comes into consideration. She is interested in working outside Serbia as well. Mostly collaborated with CONTRAST STUDIOS.
Jelena Volf Lisinac has been the script supervisor since 2009. She started her theoretical and practical training a year earlier in a telenovela, with Aleksandra Beka Wolf.
A full 12 years was enough for her to gain rich experience in commercials, music videos, sitcoms, series and movies.
Jelena speaks and writes in Serbian and English. Precise. Dedicated, flexible and cooperative. At the moment, she is only interested in filming in Belgrade, whether in a studio or in facilities.
Jelica Bojić has been working as a script supervisor for 34 years, that is, since 1987. She spent her beginnings and most of her working life on RTS, where she initially learned theory from directors and editors, and the practical part of her work from experienced colleagues. Then she did live broadcasts and volunteered for 3 months on TV Novi Sad documentaries.
From then until today, his rich biography includes films, series, telenovelas, TV dramas, live broadcasts of theater plays, and documentary-educational series with a semi-acting structure.
Jelica speaks and writes in Serbian and English. She is very professional, responsible, completely dedicated. Equally willing to work in the outfield, as well as in Belgrade and Novi Sad, in the studio and in terrain. She has exceptional experience with the production of THIS AND THAT. She would love to collaborate with FIREFLY and COBRA FILM productions.
Jovana Gogić has been working as a script supervisor since 2011. She acquired theoretical and practical knowledge from Aleksandra Wolf and Aleksandra Kljajić, as well as working for 3 years in post-production in the Vision Team.
Very soon after the training, she started working independently. Today, Jovana does series, sitcoms, movies and occasionally commercials.
She speaks and writes in Serbian, English, Spanish, French and partly Italian. She is engaged in domestic and foreign productions. Valuable, communicative, operational, sociable. She gives a slight advantage to projects that are being filmed in Belgrade, but outfield filming is also possible. She is more interested in shooting in outside on terrain than in the studio. She mostly collaborated with the Vision Team.
Katarina Živanović has been the script supervisor since 2013. She learned theoretical and practical knowledge about the job from Sasa Mitić.
The training lasted for several years, and then she volunteered for a year. She made her first independent steps on domestic series. She has expanded her circle of work on music videos, telenovelas and movies. She speaks and writes Serbian, English, German and Hungarian.
She tried her hand at working in foreign productions. She would most like to work on creative TV and film projects in all the conditions that one shoot requires.
Katarina Stanojević has been working as a script supervisor since 2018. She learned by watching the film shoot with the support and advice of Aleksandra Wolf.
She worked on films and series in Serbian production. She speaks and writes in Serbian, English and German.
She is extroverted and hardworking. Strict and committed. Every new project is a challenge. She would prefer to shoot in Belgrade, and in the terrain and facilities, and less in the studio. She would prefer to work for a production company that meets all the requirements of ASR.
Katarina Popović has been the script supervisor since she finished the course organized by the FDA and FCS with lecturers, professors Narcisa Darijević, Snežana Ivanović, Aleksandar Kostić, Velimir Dejanović and Dino Lončar. She underwent practical training with Aleksandra Wolf. She volunteered briefly and started doing commercials in foreign productions as well as domestic series. She speaks and writes Serbian and English.
After more than 15 years of work in the field of visual arts and graphic design, she finds herself in the sphere of film. Understanding creative processes and developed visual perception make her a useful collaborator and team member who actively participates in the development and implementation of joint projects. Equally interested in filming in the field, as well as in Belgrade, in the studio or at the facilities.
Lana Jeremić learned the theoretical and practical part of the job from Aleksandra Kljajić in a period of 5 years, starting as a clapper, and then as a second assistant director, in order to find herself in the job of script supervisor. She has worked mostly on series and movies. She also worked documentary films and commercials. In addition to her native Serbian, she speaks English and Spanish, and writes English.
Lana is up-to-date, creative, punctual, tidy, enthusiastic. She would most like to do horror, thriller, sci-fi movies and series, as well as epic fiction. She would rather work on outfield than in a studio.
Marija Stanošević se bavi poslom sekretarice režije od 2007. godine. Radila je više na filmovima, tek na pokojoj seriji, telenoveli.
Teorijski deo učila iz udžbenika američkih skripterki. Praktična obuka traje i dan danas.
Marija govori i piše na srpskom, engleskom i franscuskom jeziku.
Radila je i radi za domaće i strane produkcije. Odgovorna je i timski igrač. Radije bi radila u Beogradu, nego na terenu.
Marina Lesić started working as a script supervisor in 2000. In the 21 years she has been dedicated to this job, Marina has worked mostly on film and series.
In 2014, she turned to working with co-productions and is mostly engaged in that field. She speaks and writes Serbian and English.
Marina has valuable experience, patience and a sharp eye which makes her a reliable and stable script supervisor. She is a team player and adaptable to all conditions.
Milena Pešut has been working as a script supervisor since 2020, after successfully completing a course organized by the FDA and the FCS.
Then she volunteered briefly, in order to determine the acquired knowledge and with the series "Kalkanski krugovi" she successfully started independent work. She also tried her hand at film and documentary work. He speaks and writes in Serbian, English and French.
Milena is digitally educated, focused, precise, detailed, subtle, direct, quiet, but aware of every detail. Interested in making movies, commercials, series, videos and other short forms. She prefers filming in Belgrade and the studio more than in the field.
Ružica Radivojević has been the script supervisor actively since 2018. During her studies, she worked a lot of student films. She learned theory from Aleksandra Kljajić, and practice from Radmila Jovančićević, during 8 years, where she volunteered and learned a lot.
Then she starts working on a domestic films and series. In 2021, she attended a course for script supervisor organized by the FDA and the FCS, thus confirming the theoretical and practical knowledge acquired on the set.
She speaks and writes Serbian and English. She is very cooperative, conscientious. She would love to make movies (long and short), as well as HBO series.
From 2020. Sanja Rajkovic is working as a script supervisor. She finished course for script supervisors organised by FCS and FDU. Thanks to Aleksandra Beka Wolf, during three months period she learned theory and practical working on the film set.
Soon after, she started to work on a series, films, gaining additional experience. She is fluent in Serbian and English language.
Practical, reliable, hardworking, oriented to detail, communicative. She is most interested in shootings outside the studio.
Saša Mitić started to work in RTS 1994. She successfully completed the course for script supervisors under the RTS educational center. She mostly did live broadcasts, then begun with TV programs and in 2004 she improved her knowledge and experience and started to work on film sets and series.
In her working experience she accomplished all possible forms – sitcom, commercials, documentaries. Saša also worked with big ex YU production companies.
She is fluent in Serbian and English language. In business she values professionalism and prefers challenges. Also, she was working and still would like to work in and out of Belgrade, on the set and in the studio.
Slobodan Brankovic started to work as a script supervisor. After he finished the course for script supervisors ogranised by FDU and FCS in 2020, he gained Practical knowledge from more experienced colleague and mentor Aleksandra Beka Wolf.
He started shootings step by step, as a member of second unit and changing colleagues for a couple of days. After that he started to work on domestic series and co-production projects from ex YU region. He is fluent in Serbian, English, Russian and Hungarian languages.
Slobodan Brankovic graduated theatre directing, he is communicative, responsible, precise. He is motivated to work in and out of Belgrade, on the set and in studio, especially if the production is highly professional.
Snezana Vukmirovic is working as a script supervisor since July 2020. After the course for script supervisors organized by FDU and FCS, she started to work for domestic productions.
Then she gained more experienced and started working on a film. She is fluent in Serbian and English languages.
Snezana is cheerful, hardworking, reliable, easy for any kind of agreement. She would like to try working in the horror and epoch genre. Also, she was working and still would like to work in and out of Belgrade, on the set outside and in the studio.
Tamara Colja is working as a script supervisor since 2013. In one year periodically she completed theory and practical course under the supervision of Aleksandra Beka Wolf. At the same time she started to work as a volunteer. During 2021 she also finished the course for script supervisors organized by FDU and FCS, in order to gain a bit more experience and knowledge.
Tamara first started to work on a film, then series and sitcoms in domestic productions. She is fluent in Serbian and English language.
Tamara is set on 12 hours complete focus and team work. Little bit of strictness is necessary sometimes. She is interested and works successfully in Belgrade, on the set an in the studio.
Tijana Tomašević je sekretarica režije od 2020. godine. Završila je kurs za sekretarice režije u organizaciji FDU i FCS. Većinom je radila u drugim ekipama na velikim serijama domaćim i stranim.
Tijana govori i piše na srpskom i engleskom jeziku.
Tijana je komunikativna, staložena i snalažljiva. Volela bi podjednako da radi igrane i dokumentarne filmove, serije, spotove, reklame...
Više je voljna za rad u Beogradu i studiju, nego na terenu.
Jelena Odalović has been the script supervisor since 2021. She finished FDU in Cetinje and in addition a course organized by FDB Belgrade and the Film Center of Serbia.
She learned the theory primarily from Professor Sehad Čekić, and practical work from Aleksandra Beka Wolf for 3 months. In addition to the series and the film, she also did TV shows.
Jelena speaks English and Italian, and writes in English. She loves teamwork, film set, she always tries to be professional and to be an authority with her knowledge. She would like to work on crime series where filming is in the terrain.